| Work Type: | installation | | Date of work: | 2006 | | Materials: | medium: fixed platform, acrylic record, sound system, variable models
notes: xxxxx
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| | Style Period: | contemporary art | | Subject: | music, imagined architecture | | Technique: | assemblage, audio | | | Description: | ‘The installation was tight and quite self-conscious, but the tune on the turntable was both haunting and annoying. When you don't know the artist's intention...’ [MORE][LESS]‘The installation was tight and quite self-conscious, but the tune on the turntable was both haunting and annoying. When you don't know the artist's intention...’ | | | Source: | Selectors’ comments: Angus Fairhurst, Paul Noble, Alison Wilding. “Bloomberg New Contemporaries 2006”, exhibition catalogue, Leeds, 2006. | | | Date of source: | 2006 | | | Description: | Full title: "Assemblage For A Song (Canon in Three Circles, Second Circle Twice The Diameter Of The First, And Line Of Inconsistencies) soprano: Amy Cunningham" [MORE][LESS]Full title: "Assemblage For A Song (Canon in Three Circles, Second Circle Twice The Diameter Of The First, And Line Of Inconsistencies) soprano: Amy Cunningham" | |
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