Kenny Macleod's repetitive formula is annoying at first and then strangely compelling. At the beginning of every section, he introduces himself - Hello, my name is Robbie Fraser - but each time the story is different, revealing another layer of information, sometimes contradicting what we already know about him. It is seductive and sweet, using story-telling in a way that provides no stability. The narrative is real, or at least plausible, and its accumulation makes a kaleidoscope of truths, fictions and lies.
[LESS]Kenny Macleod's repetitive formula is annoying at first and then strangely compelling. At the beginning of every section, he introduces himself - Hello, my name is Robbie Fraser - but each time the story is different, revealing another layer of information, sometimes contradicting what we already know about him. It is seductive and sweet, using story-telling in a way that provides no stability. The narrative is real, or at least plausible, and its accumulation makes a kaleidoscope of truths, fictions and lies.