‘Graham Westfield's “Receive Yourself” resembles a pencil or a slice of cable. Above all, it offers a dimensional paradox; while two black dots occur at one end, only one appears at the other. His previous works have explored ambiguities inherent in simple phenomena: movement in water, eyes looking out of paintings. Here, as usual, signs of life appear immobile, minimal forms.’

[LESS]
‘Graham Westfield's “Receive Yourself” resembles a pencil or a slice of cable. Above all, it offers a dimensional paradox; while two black dots occur at one end, only one appears at the other. His previous works have explored ambiguities inherent in simple phenomena: movement in water, eyes looking out of paintings. Here, as usual, signs of life appear immobile, minimal forms.’