‘What interests me most in the paintings, is that she uses different languages of painting to produce something completely new. What is nice is that they are very well painted, yet painting is not the subject. It's fresh work in the sense that you can describe it in lots of ways and make it formal, but the real essence of the work is not formal. Also, it's a pun on the macho, and on feminism, without becoming idealistic. And there's humour in them and that's very important. I think one of the major points today, in this art world, is that people take art, in a bad way, too seriously, and, I think, we have several people in the show with a real, apparent, humour in their work. Because of the irony, the humour is the thing I respond to particularly. But, also, the fact that the artist may also be pointing to the art world and taking the rise.’

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‘What interests me most in the paintings, is that she uses different languages of painting to produce something completely new. What is nice is that they are very well painted, yet painting is not the subject. It's fresh work in the sense that you can describe it in lots of ways and make it formal, but the real essence of the work is not formal. Also, it's a pun on the macho, and on feminism, without becoming idealistic. And there's humour in them and that's very important. I think one of the major points today, in this art world, is that people take art, in a bad way, too seriously, and, I think, we have several people in the show with a real, apparent, humour in their work. Because of the irony, the humour is the thing I respond to particularly. But, also, the fact that the artist may also be pointing to the art world and taking the rise.’